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Last updated: 04 Jun 2026 at 09:36 UTC

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The Wall (2017) - Critic Reviews - Page 5 of 6

81-100 of 109 Reviews

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Review of The Wall (2017)

By Cary Darling (452) for Fort Worth Star-Telegram/DFW.com (553) on 10 May 2017

An exceptional showcase for Taylor-Johnson, who carries the film completely on his shoulders…

Review of The Wall (2017)

By Colin Covert (1,936) for Minneapolis Star Tribune (2,416) on 10 May 2017

The Wall is not the sort of movie that entertains. It's the type that scars…

Review of The Wall (2017)

By Tom Russo (407) for Boston Globe (6,852) on 10 May 2017

Watching Taylor-Johnson’s character engage the enemy this way is intriguing, but also a bit removed from the realism the film is after…

Review of The Wall (2017)

By Brian Formo (125) for Collider (1,032) on 10 May 2017

The indie director of Swingers and Go has used his post-Edge of Tomorrow downtime to box himself into a cat-and-mouse sub-genre without identifying…

Review of The Wall (2017)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 10 May 2017

The Wall may be fictional, but at its occasional, patient best it feels truthfully scary…

Review of The Wall (2017)

By Brian Orndorf (4,059) for Blu-ray.com (2,093) on 10 May 2017

A disappointment, carrying more of an iffy experimental tone than a richly suspenseful atmosphere, watching the production try to cook up something…

Review of The Wall (2017)

By Joshua Starnes (554) for ComingSoon.net (2,031) on 10 May 2017

The Wall has moments of intensity which achieve what Liman seems to want, but it never does enough to make something out of its set up…

Review of The Wall (2017)

By A.a. Dowd (854) for AV Club (2,778) on 10 May 2017

In its best moments, The Wall is just a movie, a tense and nasty black-box thriller that conveys its politics through the microcosmic stakes…

Review of The Wall (2017)

By Mark Dujsik (2,093) for Mark Reviews Movies (2,037) on 10 May 2017

This is an immediate and intimate thriller, consistently paced and shot with total control of communicating geography and strategy…

Review of The Wall (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 10 May 2017

The Wall is a fairly hopeless film…

Review of The Wall (2017)

By Soren Andersen (496) for The Seattle Times (964) on 10 May 2017

Taylor-Johnson’s agonized performance holds the audience’s attention, but his portrayal doesn’t really take the character anywhere…

Review of The Wall (2017)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 10 May 2017

The vein-popping mood is ultimately more exhausting than exciting…

Review of The Wall (2017)

By Soren Anderson (264) for Seattle Times (3,524) on 09 May 2017

Taylor-Johnson's agonized performance holds the audience's attention, but his portrayal doesn't really take the character anywhere…

Review of The Wall (2017)

By Sam Fragoso (108) for TheWrap (3,203) on 09 May 2017

Despite this noble intention to create palpable tension — and dialogue — between two strangers, Dwain Worrell’s script repeatedly falls short…

Review of The Wall (2017)

By Tara Thorne (211) for The Coast (Halifax, Nova Scotia) (715) on 09 May 2017

Doug Liman marries his former indie sensibilities to his contemporary action heart in The Wall, a surprisingly compelling one-man show for…

Review of The Wall (2017)

By Michael Heaton (182) for Cleveland Plain Dealer (828) on 09 May 2017

While The Wall is often an unpleasant, painful-to-watch experience, it is also a memorable and commendable addition to the canon of well-intentioned…

Review of The Wall (2017)

By Peter Hartlaub (620) for San Francisco Chronicle (7,630) on 09 May 2017

Whatever the numbers and whatever the broader entertainment trends, The Wall proves it’s good when big directors have the flexibility to…

Review of The Wall (2017)

By Marc Savlov (2,019) for Austin Chronicle (7,653) on 09 May 2017

It’s the sort of cat-and-mouse game that recalls certain elements of such disparate films as John Boorman’s Hell in the Pacific, Larry…

Review of The Wall (2017)

By Gary Thompson (1,554) for Philadelphia Daily News (1,596) on 08 May 2017

There is potential here for something spooky and surreal, like A Midnight Clear, but the script feels more like an old episode of the Vic Morrow…

Review of The Wall (2017)

By Clint Worthington (295) for Consequence of Sound (1,431) on 08 May 2017

Liman is no stranger to tense, effective thrillers – his last outing was the criminally undervalued Edge of Tomorrow – and on that level,…

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