Review of The Waldheim Waltz (2018) by Richard Brody for New Yorker — 16 Oct 2018
The movie is constructed entirely of a remarkable array of archival footage, including Beckermann’s recordings, that spotlights unresolved national traumas and unabated anti-Semitism.
You can read the full review where it was originally posted online.
This review of The Waldheim Waltz (2018) was written by Richard Brody and published by New Yorker on 16 Oct 2018.
The Waldheim Waltz has generally received very positive reviews.
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