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Review of by Sara Stewart for New York Post — 04 Feb 2015

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Ryan Reynolds is chillingly perfect as a nice-guy factory worker struggling with schizophrenia and murderous impulses in this tonally wild indie, which is nearly too horrifying to be funny — but not quite.

You can read the full review where it was originally posted online.

This review of The Voices (1953) was written by and published by New York Post on 04 Feb 2015.

The Voices has generally received mixed reviews.

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