Review of The Truth (2020) by John Anderson for Wall Street Journal — 07 Apr 2022
Funny, wry, emotionally potent, and like most films by Hirokazu Kore -eda (“Shoplifters,” “Nobody Knows,” “After Life”) operates on multiple levels—usually some kind of domestic tragicomedy under which lies profound existential disquiet.
You can read the full review where it was originally posted online.
This review of The Truth (2020) was written by John Anderson and published by Wall Street Journal on 07 Apr 2022.
The Truth has generally received positive reviews.
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