Review of The Ticket (2017) by Jon Frosch for The Hollywood Reporter — 06 Apr 2017
The Ticket is underwhelming in several ways, but the performance driving it is magnetic — and helps alleviate some of the bludgeoning obviousness of a morality tale that New York-based Israeli writer-director Ido Fluk hasn’t fully figured out how to tell.
You can read the full review where it was originally posted online.
This review of The Ticket (2017) was written by Jon Frosch and published by The Hollywood Reporter on 06 Apr 2017.
The Ticket has generally received mixed reviews.
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