Review of The Terminal (2004) by David Denby for The New Yorker — 18 Sep 2014
The Terminal is highly crafted whimsy; it lacks any compelling reason to exist, and its love story is a dud. Ever bashful when it comes to boy-girl stuff, Spielberg has structured the relationship between Amelia and Viktor to be as asexual as possible.
You can read the full review where it was originally posted online.
This review of The Terminal (2004) was written by David Denby and published by The New Yorker on 18 Sep 2014.
The Terminal has generally received positive reviews.
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