Review of The Tempest (2010) by A.o. Scott for The New York Times — 09 Dec 2010
Ms. Taymor's overscaled sense of stage spectacle can be impressive and effective, even moving, but her three-dimensional, high-volume compositions translate awkwardly into the cosmos of cinema, which turns her pageantry into mummery and the physical exuberance she likes to draw from performers into mugging.
You can read the full review where it was originally posted online.
This review of The Tempest (2010) was written by A.o. Scott and published by The New York Times on 09 Dec 2010.
The Tempest has generally received mixed reviews.
Was this review helpful?
Yes
No
