Review of The Swan (2018) by Teo Bugbee for The New York Times — 08 Aug 2018
Director Asa Helga Hjorleifsdottir never displays the passion that her characters suggest in their stories. If her film ever diverged from its ubiquitous images of misty mountains or its plodding piano score, perhaps its characters’ incessant mythmaking would convey deeper mysteries, inner worlds that are not visible to the eye.
You can read the full review where it was originally posted online.
This review of The Swan (2018) was written by Teo Bugbee and published by The New York Times on 08 Aug 2018.
The Swan has generally received mixed reviews.
Was this review helpful?
Yes
No
