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Last updated: 03 Jun 2026 at 22:09 UTC

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Review of by Miguel A — 15 May 2014

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A must-see for anyone interested in the philosophical implications of the filmmaking process. Steve Railsback is a mentally-unbalanced Vietnam vet on the run from the law. After accidentally causing the death of a movie stunt man, he stumbles onto the set of the film in question.

Instantly in love with the leading lady (Barbara Hershey), he agrees at the insistence of megalomaniacal director Peter O'Toole (in one of his greatest film performances) to stay on as a replacement for the fallen stunt driver.

In exchange for not turning Railsback over to the police, O'Toole tells Railsback that he must also assume the stunt man's identity so that O'Toole can finish his location shoot in time and on budget.

The paranoid Railsback begins to suspect that O'Toole is really a psychopath who wants to kill him; Hershey, who idolizes O'Toole, tries to convince Railsback that he's delusional...but as time goes on and on-set pressures mount, even she begins to question the director's intentions.

Many will be frustrated by this film's determinedly enigmatic approach to narrative and theme, but it's a damn fun ride that leaves the viewer plenty to think about at the end. A satire as well as a thriller, this semi-forgotten film is probably the best film of 1980 (Raging Bull notwithstanding).

A film lover's film.

This review of The Stunt Man (1980) was written by on 15 May 2014.

The Stunt Man has generally received positive reviews.

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