Review of The Square (2017) by Anthony Lane for The New Yorker — 22 Oct 2017
The best reason to see The Square is the remarkable Terry Notary, last seen in “War for the Planet of the Apes.” Here he plays a performance artist named Oleg, who brings simian havoc, way beyond his brief, to a glamorous event, roaring and thumping among the tuxedos and the gowns.
If only he had done the same at Cannes.
You can read the full review where it was originally posted online.
This review of The Square (2017) was written by Anthony Lane and published by The New Yorker on 22 Oct 2017.
The Square has generally received positive reviews.
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