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Review of by Darren H — 01 May 2008

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This is my personal favorite of the Roger Moore 007 movies so I was looking forward to the DVD to see what sort of commentary would be provided to go along with it. Here we are treated ti Producer Micheal Wilson, Designer Ken Adam and writer Chrostopher Wood recounting their memories of the movie in a screen-specific commentary. Added to this is a lengthy "Making of...." feature (over 40 minutes) that all in all combines to make this a movie that belongs in everyones DVD library. The movie iteself is intriguing with very satisfying action scenes, humor and the most beautiful actress ever to grace the movie screen - Barbara Bach...

The movie really has it all and we learn before the main titles that this is going to be a very different 007 movie from the ones that preceded it. In 1977 audiences rose to their feet to cheer what is still one of the most amazing stunts in motion picture history. Accompanied by a disco beat (that I like) Bond leaves the cabin of one of the EON series' sexiest femme fatales, is pursued by Russian assassins and then ski's off a mountain-top, apparently to his death. But no a parachute opens and our hero glides effortlessly across our screen and into the waiting hands of the main titles - perfect.

I've never been a fan of Bond in the main titles and this is unfortunately the one that started this trend. My favorite main title sequences are those in which 007 does not appear.

The sequence at the submarine base introduces us to a couple of recurring characters, first is Minster Frederick Gray and then Admiral Hargreaves (who would later be promoted to the position of M). These are two welcome additions and Gray's appearance in particular would help the series four years later when the series lost Bernard Lee.

We also are introduced to Gen. Gogol as head of the KGB. Gogol would return in each of the successive movies until 1987's THE LIVING DAYLIGHTS when actor Walter Gotell's health had deteriorated to such an extent that his part was rewritten to a mere cameo, while the chunk of his scenes went to John Rhys-Davies.

What follows is a mix of action (the car chase, battle inside the Liparus and train fight stand out), drama (confrontation in the hotel room in particular) and Moore getting to be ruthless (dispatching Sandor from the rooftop - "What a helpful chap.") Of course any review of the movie would be remiss not to mention the introduction of Jaws.

Jaws is a killing machine who, although clumsy, does not think twice about murdering his prey.

Many fans are admirers of Caroline Munro in this picture. For me, the main thing I like about her appearances are the looks it illicits from Bach's Amasova - are those flickers of jealousy?

Really, everything comes together perfectly, the perfect girl, some of the best action and drama, great locations and all the while Moore's great humor, it is in this movie that he delivers one of my all-time favorite 007 lines - "All those feathers and he still couldn't fly!".

This review of The Spy Who Loved Me (1977) was written by on 01 May 2008.

The Spy Who Loved Me has generally received positive reviews.

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