Review of The Souvenir (2019) by Anthony Lane for The New Yorker — 19 May 2019
This is Hogg’s most disconcerting work to date. Like her previous movies, such as “Unrelated” (2007), it proceeds in lengthy takes, and the camera, more often than not, prefers to keep its distance, the better to observe her characters — the human animals — at play.
You can read the full review where it was originally posted online.
This review of The Souvenir (2019) was written by Anthony Lane and published by The New Yorker on 19 May 2019.
The Souvenir has generally received positive reviews.
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