Review of The Scapegoat (1959) by Isabel Quigly for The Spectator — 14 Mar 2018
Sir Alec's performance seems to be caricaturing the Guinness style: cold, correct, restrained almost to the point of self-extinction, he underacts in a cast of rip- roaring overactors till the contrast between him and them becomes grotesque.
You can read the full review where it was originally posted online.
This review of The Scapegoat (1959) was written by Isabel Quigly and published by The Spectator on 14 Mar 2018.
The Scapegoat has generally received positive reviews.
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