Review of The Room (2003) by Intuciic . — 20 Apr 2013

Oh hi!

Before I saw this film for the first time, all I really knew is that some critic called it "the Citizen Kane of bad movies". I thought the hyperbole was amusing.

But whoever the critic was, they were dead on. That's the only way to describe this jaw-dropping cinematic black hole.

This is supposed to be a romantic drama about a man engaged to a woman who doesn't love him anymore and who starts sleeping with his best friend.

Like "Citizen Kane", this movie is the brainchild of one man. Tommy Wiseau wrote, produced, directed, and stars in it. And like Orson Welles, this is Wiseau's first film. But it's the anti-matter version. For everything that Welles did brilliantly, Wiseau does idiotically. It's like Wiseau (who obviously has a thing for Tennessee Williams) took a crash course in filmmaking... and misunderstood every lesson.

Let me make this perfectly clear. There are not just a couple of things wrong with this movie, there are literally hundreds.From the acting, to the script, to the technical production, the whole thing is like an atom bomb waiting to go off. An atom bomb made of spoons.

There is no way to adequately describe this film. The main star, Wiseau, has the body and and acting ability of a reanimated corpse. Now combine that with the dialogue's rampant non-sequiturs, the anonymous characters, the plot holes big enough to throw footballs through, and the apartment's mysterious doorways. It must be experienced to be appreciated. It makes you feel drunk or stoned, even when you are totally sober.

"The Room" is famous in underground cinema circles, and has attracted a cult following not seen since "The Rocky Horror Picture Show," For better or worse, your life will not be the same once you've seen it.