Review of The Rhythm Section (2020) by Glenn Kenny for The New York Times — 30 Jan 2020
The talented Morano, whose work on the TV series “The Handmaid’s Tale” shows a knack for shuddery grim realism, sometimes seems to want to subvert the espionage-action genre by bludgeoning the pleasure out of it.
You can read the full review where it was originally posted online.
This review of The Rhythm Section (2020) was written by Glenn Kenny and published by The New York Times on 30 Jan 2020.
The Rhythm Section has generally received mixed reviews.
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