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Last updated: 03 Jul 2026 at 07:24 UTC

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Review of by Pauline Kael for The New Yorker — 15 Jul 2013

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Period charm accounts for much of the mild enjoyment to be had from this sunnily nostalgic adaptation of William Faulkner's novel about an unholy trio - small boy (Vogel), dimwitted young buck (McQueen) and wily black (Crosse) - who 'borrow' a 1905 Winton Flyer and drive triumphantly off to Memphis for three days of illicit pleasure.

You can read the full review where it was originally posted online.

This review of The Reivers (1969) was written by and published by The New Yorker on 15 Jul 2013.

The Reivers has generally received positive reviews.

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