Review of The Rachel Divide (2018) by Ben Kenigsberg for The New York Times — 25 Apr 2018
Basic sympathy is where the usefulness of The Rachel Divide ends. Ms. Brownson hasn’t figured out how to construct a movie around a figure who essentially owes her fame to the obfuscation of her past.
Anything Ms. Dolezal says has to be taken with such a large grain of salt that it’s not clear why it’s worth listening.
You can read the full review where it was originally posted online.
This review of The Rachel Divide (2018) was written by Ben Kenigsberg and published by The New York Times on 25 Apr 2018.
The Rachel Divide has generally received positive reviews.
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