The Quiet Ones (2014) - Movie Reviews - Page 2 of 3

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Review of The Quiet Ones (2014)

By Ginak (385) on 26 Apr 2014

Muddled and incoherent and an insult to the Hammer Film tradition, where you could at least tell what was basically going on in the old days…

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Review of The Quiet Ones (2014)

By Thegodfatherson (586) on 25 Apr 2014

What the hell is this? The Quiet ones is a badly acted, directed and it's a migraine of a movie…

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Review of The Quiet Ones (2014)

By Profchumley (1) on 25 Apr 2014

This is a thinking man's horror film, not a shock or gore fest. In that light this was masterfully done, you're uneasy from start to finish. Loved it…

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Review of The Quiet Ones (2014)

By James Rocchi (1,075) for Film.com (1,892) on 24 Apr 2014

Worth making a little noise about if you’re a horror fan…

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Review of The Quiet Ones (2014)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 24 Apr 2014

Aside from a few cheap but effective shocks and jumps, there's nothing here that horror fans haven't seen in better recent films like The Conjuring…

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Review of The Quiet Ones (2014)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 24 Apr 2014

If you look at a horror movie’s prime directive to be to scare the viewer, there’s no denying that, at times, The Quiet Ones got me…

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Review of The Quiet Ones (2014)

By A.a. Dowd (854) for The A.V. Club (5,644) on 24 Apr 2014

All the retro production design in the world can’t disguise the sheer familiarity of the film’s paranormal parlor tricks…

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Review of The Quiet Ones (2014)

By Scott Tobias (1,684) for The Dissolve (1,478) on 24 Apr 2014

Harris’ wondrous arrogance as Coupland nearly justifies The Quiet Ones, because he’s so absolutely certain of a methodology that’s so…

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Review of The Quiet Ones (2014)

By Moviereviews (48) on 24 Apr 2014

The Quiet Ones is nothing original nor you haven't seen before…

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Review of The Quiet Ones (2014)

By Thatsterlinkid (7) on 24 Apr 2014

When you and your buddies can't decide what movie you want to see and you leave it up to a coin toss, things don't always go well…

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Review of The Quiet Ones (2014)

By Ed Gonzalez (1,102) for Slant Magazine (8,298) on 23 Apr 2014

If the stock concessions made to genre cliché by The Woman in Black can be charitably viewed as deliberate tips of the hat to the heyday of…

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Review of The Quiet Ones (2014)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Apr 2014

There are nice touches... Yet many of the movie’s more nominally horrific elements are too familiar…

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Review of The Quiet Ones (2014)

By Kiva Reardon (19) for The Globe and Mail (Toronto) (4,018) on 23 Apr 2014

With its latest, The Quiet Ones, the company continues a tired trend, choosing the trite over the terrifying…

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Review of The Quiet Ones (2014)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 23 Apr 2014

It's a junky, unscary genre piece with a misleading title, because director and co-writer John Pogue jacks up the decibels so often to manufacture…

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Review of The Quiet Ones (2014)

By Lou Lumenick (2,103) for New York Post (6,650) on 23 Apr 2014

Veteran screenwriter John Pogue, in his second directorial outing, tries repeatedly and mostly unsuccessfully to jolt his audience by amping…

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Review of The Quiet Ones (2014)

By Jordan Hoffman (1,025) for New York Daily News (5,623) on 23 Apr 2014

Ah, wait — it’s an ancient Sumerian curse…

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Review of The Quiet Ones (2014)

By Mike Mccahill (552) for The Guardian (2,969) on 21 Apr 2014

The arrestingly fierce Cooke, in particular, is surely a star in the making…

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Review of The Quiet Ones (2014)

By Cath Clarke (570) for Time Out London (344) on 08 Apr 2014

There are a couple of decent jumps and a few giggles, but nothing armrest-clenchingly scary about The Quiet Ones…

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Review of The Quiet Ones (2014)

By Paul Bradshaw (60) for Total Film (3,532) on 06 Apr 2014

There’s creepy dolls, cameras tipped on their side, blasts of white noise and a horny teenage Scooby gang helping Jared Harris’ Oxford…

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Review of The Quiet Ones (2014)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 03 Apr 2014

The film relies on high production values and sense-battering shock tactics to make up for wooden performances and an illogical, silly script…

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