Review of The Quiet Man (1952) by Pauline Kael for The New Yorker — 08 Mar 1995
Ford's flamboyantly Oirish romantic comedy hides a few tough ironies deep in its mistily nostalgic recreation of an exile's dream.
You can read the full review where it was originally posted online.
This review of The Quiet Man (1952) was written by Pauline Kael and published by The New Yorker on 08 Mar 1995.
The Quiet Man has generally received very positive reviews.
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