Review of The Princess of France (2014) by Richard Brody for New Yorker — 28 Sep 2014
The action takes place in streets and bedrooms, studios and museums, and the actors are never word-bound; Piñeiro, a master choreographer, sets them in graceful motion and captures them in fluid, lively images.
You can read the full review where it was originally posted online.
This review of The Princess of France (2014) was written by Richard Brody and published by New Yorker on 28 Sep 2014.
The Princess of France has generally received mixed reviews.
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