Review of The Post (2017) by Alan W — 05 Feb 2018

The tri-factor of Streep, Hanks and Spielberg set up a rather high bar that I am happy to report this film manages to meet with a timely and poignant story that is more straightforward than expected and one that's unfussily and effectively told here.

Set in the 70s, but no less relevant nowadays, the Washington Post's publication of the Pentagon Papers revealing the cover-up by successive American governments on the Vietnam War not only highlights the fundamental importance of a free and independent press but also throws in a lone woman's struggle in a world that is predominantly controlled by white men.

As the country's first and only female newspaper owner, Katherine Graham as played by a nuanced Meryl Streep is a more vulnerable character than we used to see her as, and she is tremendous and convincing, turning her initial insecurities and nervousness into a steely determination when it matters most.

Hanks leads a familiar looking supporting cast of great character actors from many of my favourite TV dramas but it is Streep who anchors the film. Meanwhile, Spielberg's direction is as confident and effortless as ever, able to make long conversations tense instead of static, and lavishes the film with stylish and symbolic imageries that enhance its narrative.

Harking back to the political thrillers of the 70s (with a knowing epilogue that essentially sets this film as a prequel to All the President's Men), this is a worthy addition to that genre; it is entertaining and thought provoking at the same time, reminding us that a noble and reliable press is ever so imperative in a world that is potentially rife with corruption and abuse of power.