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Last updated: 21 Jun 2026 at 12:55 UTC

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Review of by Meredith Borders for Slashfilm — 20 Mar 2020

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Gaztelu-Urrutia’s camerawork is inventive enough – his pacing tidy enough, his tone clever enough, his performances engaging enough – that we never get tired of seeing the same four walls and few faces throughout The Platform’s running time.

For being so deeply dark, the film is surprisingly funny and thoughtful, and it’s got a wonderful, sly energy to it.

You can read the full review where it was originally posted online.

This review of The Platform (2019) was written by and published by Slashfilm on 20 Mar 2020.

The Platform has generally received positive reviews.

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