The Outfit (2022) - Critic Reviews - Page 2 of 2

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Review of The Outfit (2022)

By Amy Nicholson (961) for Wall Street Journal (3,071) on 17 Mar 2022

The story’s pleasures are more literary than cinematic. On screen, it’s more obvious that Mr. Moore’s ideas don’t quite line up…

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Review of The Outfit (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 17 Mar 2022

The Outfit would be a splendid thing if limited to Rylance’s voiceover and long lingering shots of him working with fabrics…

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Review of The Outfit (2022)

By Karen Gordon (174) for Original-Cin (1,156) on 16 Mar 2022

It’s ambitious, but not as much fun as it wants to be…

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Review of The Outfit (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 15 Mar 2022

Set in 1956, it’s a cleverly twisty crime story constructed of many invisible folds and threads, yet it fits Rylance like custom-made clothing…

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Review of The Outfit (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 15 Mar 2022

The Outfit is not, strictly speaking, a movie about magic…

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Review of The Outfit (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 15 Mar 2022

There are turns and twists and multiple dashes of the unexpected, and it is all impressively arranged and justified…

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Review of The Outfit (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 15 Mar 2022

In the end, the story becomes a little too convoluted and the resolution is over-the-top but, for the most part, the twists and turns keep…

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Review of The Outfit (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 15 Mar 2022

It’s the mesmerizing Rylance and the film’s theatrical single-set stage “mystery” that sell The Outfit, a “cutter” in his element,…

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Review of The Outfit (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 15 Mar 2022

The unassuming man in the corner is unexpectedly thrust into the spotlight and he handles the pressure with aplomb, ducking and dodging and…

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Review of The Outfit (2022)

By Mark Keizer (225) for The A.V. Club (5,644) on 15 Mar 2022

Filled with twists and reversals that, for the most part, are motivated by character not plot, The Outfit is a nifty little period thriller…

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Review of The Outfit (2022)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 14 Mar 2022

Among other things, “The Outfit” is a celebration of those who sit quietly, who soak in what everyone else is saying, who you overlook…

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Review of The Outfit (2022)

By Chris Barsanti (896) for Slant Magazine (8,298) on 14 Mar 2022

The Outfit is a dapper, twist-filled crime story that relies more on dialogue than gunplay to move the action…

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Review of The Outfit (2022)

By Nikki Baughan (240) for Screen Daily (1,021) on 15 Feb 2022

Beautifully designed, carefully measured and expertly cut, The Outfit is a handsome debut from director Graham Moore…

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Review of The Outfit (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 15 Feb 2022

It’s testament to the artfulness of Moore and Johnathan McClain’s screenplay that your suspicions flit constantly between all four parties,…

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Review of The Outfit (2022)

By Peter Debruge (1,557) for Variety (12,700) on 15 Feb 2022

If you’re picturing shades of Kubrick’s “The Killing,” but with better clothes, fewer bullets and a self-effacing English fellow quietly…

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Review of The Outfit (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 15 Feb 2022

If you prefer to riff on the garment-making angle central to its story, the film is flatteringly and economically cut from fine cloth, cleverly…

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Review of The Outfit (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 15 Feb 2022

It’s an entertaining, fairly overwrought piece, a little tightly buttoned…

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Review of The Outfit (2022)

By Siddhant Adlakha (174) for IndieWire (3,631) on 15 Feb 2022

Try as it might, its story of a good man caught in a bad situation is bogged down by empty reveals, and by a plot that tries to fool you without…

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Review of The Outfit (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 15 Feb 2022

What The Outfit doesn’t generate much of is organic suspense…

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