Review of The Observers (2012) by Bill Weber for Slant Magazine — 07 May 2012
Goss's film carries its unique forms of narrative suspense, but her 16mm images imbue both the forbidding landscape and her characters' scientific aerie, though the observatory only dates from 1932, with a poetry of the seemingly eternal.
You can read the full review where it was originally posted online.
This review of The Observers (2012) was written by Bill Weber and published by Slant Magazine on 07 May 2012.
The Observers has generally received mixed reviews.
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