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Last updated: 05 Jun 2026 at 07:16 UTC

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Review of by Emily Yoshida for New York Magazine/Vulture — 31 Oct 2018

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There’s nothing grounding enough here; everything — the sets, the costumes, the performances — seems to drift off in a CGI haze. As a contender for cherished childhood mythology, its methods are cheap.

And as a mere child distractor, it seems awfully expensive.

You can read the full review where it was originally posted online.

This review of The Nutcracker and the Four Realms (2018) was written by and published by New York Magazine/Vulture on 31 Oct 2018.

The Nutcracker and the Four Realms has generally received mixed reviews.

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