Review of The Nines (2007) by Leighanne W — 04 Dec 2009

The Nines can be too enamored with its own cleverness, sometimes being a mind-job just for the sake of it. While its non-linear narrative isn't especially difficult to follow, the movie will surely lose some filmgoers when it makes the leap from "inside showbiz" schtick to the metaphysical.

The film is certainly daring and different, qualities which deserve acclaim, but it can also be a chore to sit through, which is surprising given its mere 99 minute running time. Reality Television is perhaps the strongest chapter, with The Prisoner bearing the burden of having to establish both the tone of the overall film and set-up all the twists that will play out for the rest of the film.

The performances are all solid, especially from Reynolds. He seamlessly transitions from playing Gary the junkie "tough TV cop" to Gavin the gay, overwhelmed writer-producer to family man Gabriel, with Gavin being perhaps his best turn in the film. Reynolds is utterly believable in each incarnation; when is this guy going to become a major star already?! McCarthy is an affable and charming screen presence who also deserves more notice than she's received.

The Nines is imaginative and intriguing, but not enough so to keep from alienating some viewers who will be bewildered by the film's existential overtones.