Review of The Music Man (1962) by Pauline Kael for The New Yorker — 01 Nov 2012
Morton DaCosta’s straight translation (1962) of the Broadway blockbuster is pretty dismal in its desperate exuberance; but at least it boasts the slick charm of Robert Preston, who nearly saves it with his graying-at-the-temples boyishness.
You can read the full review where it was originally posted online.
This review of The Music Man (1962) was written by Pauline Kael and published by The New Yorker on 01 Nov 2012.
The Music Man has generally received very positive reviews.
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