Review of The Missing Picture (2013) by Farran Smith Nehme for New York Post — 20 Mar 2014
Panh’s technique achieves things a conventional documentary could not, as when he pans across dozens of the clay figures jumbled in a box, in a shot that calls up both the toys of childhood, and graves.
You can read the full review where it was originally posted online.
This review of The Missing Picture (2013) was written by Farran Smith Nehme and published by New York Post on 20 Mar 2014.
The Missing Picture has generally received very positive reviews.
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