Review of The Miracle Worker (1962) by Pauline Kael for The New Yorker — 10 Dec 1963
Where the picture really excels, outside of its inherent story values, is in the realm of photographic technique. It is here that director Penn and cameraman Ernest Caparros have teamed to create artful, indelible strokes of visual storytelling and mood-molding.
You can read the full review where it was originally posted online.
This review of The Miracle Worker (1962) was written by Pauline Kael and published by The New Yorker on 10 Dec 1963.
The Miracle Worker has generally received very positive reviews.
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