Review of The Man Who Wasn't There (2001) by Filipeneto — 22 Aug 2018
In this film, a crime is committed by the most unsuspecting individual: the barber. I already knew the Coen brothers' taste for black humor, evident in "Fargo", which was their first movie I watched. In this film, the humorous and almost sarcastic tone is still present, although its sometimes subtle and mixed with social criticism. Ed wasn't the "man who was not there" because he was a barber, but because society never gave him importance or noticed his existence. His profession ends up becoming a symbol of this. The story is set in the 1950s, so it plays with the ideas and mentality of the time, especially the exaggerated belief in extraterrestrials, just as it makes little allusions to the cinematic aesthetics of that era (B movies, sci-fi, cinema noir). Cinematography helped a lot at this point, with an elegant black and white, balanced tones and nice contrast.
Regarding the actors, Billy Bob Thornton is to be congratulated because he has disengaged himself in this challenge with praises. Ed is one of a few people with few sayings and an unimpressive attitude, and the actor's performance, ranging from slightly funny to slightly scary, was very good, set in a gigantic physical and expressive self-control. On the opposite side is Michael Badalucco, in a histrionic and talkative character, where the actor was excellent. Frances McDormand was also fine, especially when she split the screen with Billy Bob, and James Gandolfini did what was expected of him. Scarlett Johansson did quite well in a character who is only innocent in appearance. Finally, a note of appreciation for the soundtrack, where classic works for piano are abundant.
This review of The Man Who Wasn't There (2001) was written by Filipeneto on 22 Aug 2018.
The Man Who Wasn't There has generally received very positive reviews.
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