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Last updated: 08 Jun 2026 at 02:47 UTC

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Review of by Amelia G — 15 Sep 2007

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As far as I am concerned there are 3 reasons one might spend a regrettable evening watching this movie. The first is Golijov's rather nice original score. The second is a brief sound cameo featuring my friend Jeremy exclaiming something in Yiddish from off-screen.

The third is Cate Blanchett's wonderful, if somewhat anachronistic, portrayal of a Russian émigré. Blanchett's character is a masterful combination of desperate seductress, anti-Semite, and faithful friend.

All of the other characters in the film are stiff, frankly offensive, caricatures. Christina Ricci who, miraculously rescued from a pogrom must sing her way to America to find her father (Oleg Yankovsky), plays a less human version of Feivel the Mouse from "An American Tale.

" Ms. Ricci, whose childhood alter ego is played by an undeniably cute Claudia Lander-Duke, utters a handful of lines throughout the entire film; what she does say is spoken without the least hint of expression.

The doe-eyed gazes that the actress employed so brilliantly in Buffalo?66 simply do not work for this character. Johnny Depp's role as a gypsy horse-trainer is the stuff of bad porn. For a film with the word "cried" in the title, with the exception of Blanchett's aging Russian ballerina and the diva-breakdowns of John Turturro's fascist opera singer, any attempts at emotion are either misplaced, or simply unconvincing.

This review of The Man Who Cried (2000) was written by on 15 Sep 2007.

The Man Who Cried has generally received mixed reviews.

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