The Maltese Falcon (1941) - Movie Reviews - Page 33 of 33

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Review of The Maltese Falcon (1941)

By Marshal A (15) on 14 Sep 2008

This was easier - and Peter Lori is a hoot. When you watch these in a group you realise they are actually funny…

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Review of The Maltese Falcon (1941)

By Variety Staff (1,156) for Variety (12,700) on 07 Apr 2008

This is one of the best examples of actionful and suspenseful melodramatic story telling in cinematic form…

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Review of The Maltese Falcon (1941)

By Philip Martin (1,107) for Arkansas Democrat-Gazette (1,391) on 08 Sep 2007

part of what makes a film great is its power to obliterate whatever preconceptions we bring to it…

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Review of The Maltese Falcon (1941)

By Emanuel Levy (2,948) for EmanuelLevy.Com (2,771) on 06 Sep 2006

One of the most brilliant directorial debuts in Hollywood's history, this gem of a movie catapulted Humphrey Bogart to major stardom, offering…

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Review of The Maltese Falcon (1941)

By Derek Adams (271) for Time Out (7,510) on 23 Jun 2006

Filmed almost entirely in interiors, it presents a claustrophobic world animated by betrayal, perversion and pain…

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Review of The Maltese Falcon (1941)

By Scott Weinberg (1,998) for eFilmCritic.com (5,125) on 02 Apr 2005

Best in noir - Best in Bogie - One of the best ever…

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Review of The Maltese Falcon (1941)

By Nick Davis (360) for Nick's Flick Picks (358) on 16 Aug 2003

Huston's curdled view of humanity (especially women) is already evident in his debut film, a punchy and redoubtable exercise in mystery…

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Review of The Maltese Falcon (1941)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 05 Jun 2001

The movie is essentially a series of conversations punctuated by brief, violent interludes. It's all style…

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Review of The Maltese Falcon (1941)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

The Maltese Falcon (1941) is one of the most popular classic detective mysteries ever made, and one of the first in the dark film noir genre…

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Review of The Maltese Falcon (1941)

By Simon Braud (5) for Empire (3,446) on 27 Feb 1997

The Maltese Falcon is an unassailable triumph of script, casting, direction and editing…

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Review of The Maltese Falcon (1941)

By Dave Kehr (1,442) for Chicago Reader (7,190) on 07 Jun 1993

The Maltese Falcon is really a triumph of casting and wonderfully suggestive character detail; the visual style, with its exaggerated vertical…

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Review of The Maltese Falcon (1941)

By Rob Mackie (6) for The Guardian (2,969) on 01 Nov 1980

The film that brought the detective movie into the modern world, complete with novel film-noir techniques (shadows, low-angled shots, anti-heroes…

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Review of The Maltese Falcon (1941)

By Bosley Crowther (448) for The New York Times (9,847) on 25 Dec 1969

It's the slickest exercise in cerebration that has hit the screen in many months, and it is also one of the most compelling nervous-laughter…

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Review of The Maltese Falcon (1941)

By Otis Ferguson (5) for The New Republic (897) on 24 Jun 1969

The Maltese Falcon is the first crime melodrama with finish, speed and bang to come along in what seems ages, and since its pattern is one…

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Review of The Maltese Falcon (1941)

By Pauline Kael (368) for The New Yorker (1,837) on 23 Dec 1968

The strange, dreamlike tension of the film escalates with each new confrontation, each new tailing, each new beating, with Gutman and Cairo…

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Review of The Maltese Falcon (1941)

By Tom Cox (10) for The Telegraph (1,120) on 24 Mar 1942

The Maltese Falcon might not have been the first film noir, or even the most stylish, but all the genre elements are smartly in place here…

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