Review of The Magnificent Seven (2016) by Anthony Lane for The New Yorker — 25 Sep 2016
Traces of real history are hard to spot in Fuqua’s Western, but there isn’t much evidence of a real Western, either. You sense that an entire genre, far from being revitalized, is being plundered for handy tips.
You can read the full review where it was originally posted online.
This review of The Magnificent Seven (2016) was written by Anthony Lane and published by The New Yorker on 25 Sep 2016.
The Magnificent Seven has generally received positive reviews.
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