Review of The Love Parade (1929) by Byron B — 23 Nov 2016
Ernst Lubitsch's first talkie, Jeanette MacDonald's first screen appearance, and the first of many time these two would make movies with Maurice Chevalier. Lubitsch with his cinematographer managed to keep the camera moving through the grand set, which was something that most early talkie/musicals could not deliver.
This film is a joyful romantic comedy. The battle of the sexes will still make you chuckle. The added comic relief, well not relief but zingers, of butler Jacques (Lupino Lane) and maid Lulu (Lillian Roth) were highly enjoyable.
MacDonald is a regal, spoiled Queen. Chevalier is a scampish, charming Count (the model for the skunk Pepe Le Pew). There are grumpy cabinet members arguing over policy in the fictional country of Sylvania.
Of course their main concern is finding the Queen a husband to subdue her moods and demands. And the Count loves the challenge of seducing the Queen. At first he is content with the gender reversal as he lounges around the palace while his wife goes to work making big decisions, but then like the cabinet members he turns quite sexist in insisting that she let him take more control.
With impeccable comic timing and lilting melodies this famous screen couple leads the viewer through a love parade.
This review of The Love Parade (1929) was written by Byron B on 23 Nov 2016.
The Love Parade has generally received positive reviews.
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