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Last updated: 19 Jul 2026 at 05:27 UTC

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Review of by Tom Milne for Time Out — 09 Feb 2006

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What makes the film so gripping is the brilliance with which Wilder uses John F Seitz's camerawork to range from an unvarnished portrait of New York brutally stripped of all glamour.

You can read the full review where it was originally posted online.

This review of The Lost Weekend (1945) was written by and published by Time Out on 09 Feb 2006.

The Lost Weekend has generally received very positive reviews.

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