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Last updated: 19 Jun 2026 at 19:27 UTC

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Review of by Dottheeyes — 19 Aug 2017

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Within the space of a single showing on the French Riviera, an ambitiously mounted action-drama-romance film with an A-list cast and an Oscar-winning crew became a pariah, not shown again for several months and unseen in the United States until an unheralded on-demand release over a year later.

Unfortunately, The Last Face is deserving of its fate. I am an admirer of Sean Penn the director; with The Indian Runner, The Crossing Guard, The Pledge, and Into the Wild, he proved himself a distinctive and engaging cinematic storyteller and transcended any actor-turned-director vanity-project stigma.

But, wow, his first directorial failure is a momentous and peculiar one. There are a thousand and one ways to criticize The Last Face. I am not, as a hard-and-fast rule, opposed to the idea of a film focused on a Doctors Without Borders-type organization, but it is hard not to notice the conspicuous absence of a single interesting or multi-dimensional black character in a film almost entirely set in Africa.

They are simply extras, present to smile or dance or, most frequently, violently die, while a banal Western love story is foregrounded. A love story in name only which drains Javier Bardem of his usual charisma and vigor and forces poor Charlize Theron to deliver nearly constant, wince-inducing voice-over.

Sample: "The resilience and beauty offered by the refugees of war inspired an intoxication of intimacy, and in this place of so much war, had I found peace?" Just as tone-deaf and uncomfortably navigated are the lapses into didacticism, when characters express hoary the-world-doesn't-care opinions or deliver entire sermons-speeches on humanitarianism.

The film is overwrought in several ways—a busy structure (lots of "ten days earlier in such-and-such place"-type subtitles), a cacophonous score of World-music chants and laments by Hans Zimmer—yet also thinly imagined, easily distracted, and without a convincing emotional center.

There are even moments approaching genuine-albeit-unintentional camp comedy; consider a scene in which the two leads flirt via aggressive, flamboyant brushing of their teeth. Dental hygiene as mating dance.

It beggars description...

This review of The Last Face (2017) was written by on 19 Aug 2017.

The Last Face has generally received mixed reviews.

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