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Last updated: 02 Jul 2026 at 23:29 UTC

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Review of by Pauline Kael for The New Yorker — 18 May 1995

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The film is distinguished by the fine performances of Nicholson and Quaid, and by remarkably well-orchestrated profane dialogue. It's often very funny. It's programmed to wrench your heart, though-it's about the blasted lives of people who discover their humanity too late.

You can read the full review where it was originally posted online.

This review of The Last Detail (1973) was written by and published by The New Yorker on 18 May 1995.

The Last Detail has generally received very positive reviews.

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