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Review of by Stanley Kauffmann for The New Republic — 07 Aug 2018

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Moll's film is a far cry from the elegiac poetry of, say, Night and Fog; it's a document more than an examination, and its power of record is inarguable and incorruptible. And then, at the end, somehow you find yourself with that least likely of expressions on your face, a smile, courtesy of Representative Lantos.

You can read the full review where it was originally posted online.

This review of The Last Days (1998) was written by and published by The New Republic on 07 Aug 2018.

The Last Days has generally received very positive reviews.

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