Review of The Landlord (1970) by Pauline Kael for New Yorker — 06 Apr 2016
The dialogue is crisp and often quite startling, and though the editing may be a little too showy and jumpy, the picture has originality and depth, and it’s full of sharp, absurdist humor.
You can read the full review where it was originally posted online.
This review of The Landlord (1970) was written by Pauline Kael and published by New Yorker on 06 Apr 2016.
The Landlord has generally received positive reviews.
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