Review of The King of Staten Island (2020) by Richard Brody for The New Yorker — 07 Jul 2020
What’s concrete in the film are its bluff and energetic performances. Tomei is, as ever, a wonder of passion and imagination. Burr is a dynamo of roaring invention. And, above all, Davidson himself, with his blend of blank comedic aggression and bare-nerve vulnerability, provides the film with an emotional complexity that surpasses the bare storytelling.
You can read the full review where it was originally posted online.
This review of The King of Staten Island (2020) was written by Richard Brody and published by The New Yorker on 07 Jul 2020.
The King of Staten Island has generally received positive reviews.
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