Review of The Killers (1964) by Richard Brody for The New Yorker — 28 May 1970
Siegel’s terse, seething, and stylish direction glows with the blank radiance of sheet metal in sunlight; the movie’s bright primary colors and glossy luxuries are imbued with menace, and its luminous delights convey a terrifyingly cold world view.
You can read the full review where it was originally posted online.
This review of The Killers (1964) was written by Richard Brody and published by The New Yorker on 28 May 1970.
The Killers has generally received positive reviews.
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