Review of The Kids Are All Right (2010) by Cameron J — 25 Jun 2011

After seeing this a second time, I can honestly say that "The Kids Are All Right" really is alright. It has its highs and lows, but ultimately stands as a rather charming film, though still not without such flaws as mildly underdevelopment, as well as the occasional slow and overdrawn point. I understand that most of the slow and overdrawn points were intended to convey the awkwardness of the family's confrontation with the donor and to eventually study on their developing relationships, but I just had to say "Okay, we get it, now move it along." Of course, the film's biggest problem is the climax, which initiates with a forced discovery, not just because it comes out of no where, but because the connections feel like a stretch. The film then begins to fall apart by forcing unlikeability in characters so that when the final confrontation comes in, it's hard to define the protagonist and antagonist - and not in a good - and leaves an issue that feels unresolved like the other subplots that are also forced in the final act. Of course, to those who haven't seen the film and have read this review, I'm glad that I could to tell you that some of these issues are unresolved, because as the ending was rolling in, I kept waiting for them to bring these issues up again. True, the lack of resolution is hard to swallow, but other than that, the ending feels rather genuine and satisfying, but only if you accept it as the ending like I did once I knew what was coming at the second viewing.

Still, the ending isn't the only charming thing about this. The characters do eventually get inconsistent in their roles, but are - for the most - charming and likeable, thanks to the solid performances behind them, but more on that later. The film is supported by an offbeat story and a sharp sense of humor, as well as some snappy dialogue, nice cinematography and a pretty good soundtrack. Still, it all comes down to the performers, who have crackling chemistry with each other and put do great acting jobs. Hutcherson and Wasikowska (man, I'm glad this is written so I don't have to say her name) are coming into their own as matured and experienced, competent performers. Touching on the more experienced performers, Ruffalo is charismatic and compelling, where as Bening and Moore may have you a little uncomfortable, (unless you're in to older lesbian stuff) but remain commendably audacious and genuine, as well as compelling with their electric chemistry and powerful emotional work.

As for the film's message that any type of family can have struggles of their own, it is conveyed sharply and avoids getting preachy. The film isn't saying "alternative families are like everyone else". It's saying "family life is hard and everyone goes through struggles." It's a genuine, realistic message that rings true and doesn't want to force its point on someone. You taking some notes "Glee"? Ultimately, "The Kids Are All Right" may have its awkward moments and cop-outs, but still stands tall as a well-acted and offbeat charmer with some powerful words to say.