Review of The Kid Stays in the Picture (2002) by Ray Conlogue for Globe and Mail — 08 Aug 2002
The best thing the film does is to show us not only what that mind looks like, but how the creative process itself operates: messily, erratically, outside of most people's morality, but with a force and purposiveness that makes the machinations of the rest of us look irresolute by comparison.
You can read the full review where it was originally posted online.
This review of The Kid Stays in the Picture (2002) was written by Ray Conlogue and published by Globe and Mail on 08 Aug 2002.
The Kid Stays in the Picture has generally received positive reviews.
Was this review helpful?
Yes
No
