Review of The Iron Lady (2011) by Orson2 — 14 Feb 2012
Such a rich and powerful subject -- such a little lens to show her! Some say it is "realistic," bit it isn't. And what frustrates are the embarrassment of topical themes evident but lost amidst the turgid alzheimers: a loving, coach-worthy husband, a women who prefers men's company to women's, a developing individualist of an Aristotelian mien, a pro-market visionary caught up in declining socialist times (SEE Terry Gilliam's 'Brazil' for a glimpse of the UK's complete dysfunction in the 1980s).
There was so much vile hatred and invective aimed at MT, the film barely scratches it. Instead, we a given a crabbed down fall legacy, stolen from Shakespeare: a dead life-mate, resulting detachment from her other men, even estranged from her only son, Mark.
Egads! She's like King Lear! Leftists don't get that democracies are not personal possessions like kingdoms, and no matter how dynastic, they do not lend themselves to such a psychological reductio. Furthermore, we have the biographical testimony of MT's daughter Carol, that the family grew up happy.
Imagine that! Successful and happy. This subject deserves more humility, less stupidity, to be believable. Much less "realistic.
This review of The Iron Lady (2011) was written by Orson2 on 14 Feb 2012.
The Iron Lady has generally received mixed reviews.
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