Review of The Irishman (2019) by Anthony Lane for The New Yorker — 28 Oct 2019
If I had to define The Irishman, I would say that it’s basically “Wild Strawberries” with handguns. Like Bergman’s film, from 1957, this one is structured around a road trip.
You can read the full review where it was originally posted online.
This review of The Irishman (2019) was written by Anthony Lane and published by The New Yorker on 28 Oct 2019.
The Irishman has generally received very positive reviews.
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