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Last updated: 05 Jun 2026 at 04:19 UTC

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Review of by David Edelstein for New York Magazine (Vulture) — 26 May 2010

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This is yet another of Soderbergh’s “exercises in style,” which means he has one big idea and sticks to it. He makes the space shallow and ugly (faces are bathed in orange) and adds groovy sixties titles and Marvin Hamlisch music.

You can read the full review where it was originally posted online.

This review of The Informant! (2009) was written by and published by New York Magazine (Vulture) on 26 May 2010.

The Informant! has generally received mixed reviews.

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