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Last updated: 01 Jul 2026 at 19:51 UTC

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Review of by David Edelstein for New York Magazine (Vulture) — 08 Oct 2006

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The ending dispels a lot of the magic, but the silent-movie palette is gorgeous, and the film is worth seeing for the inspired hamming of Paul Giamatti as Vienna's chief inspector, whose plummy tones made me sure I could hear the ghost of James Mason cackling.

You can read the full review where it was originally posted online.

This review of The Illusionist (2006) was written by and published by New York Magazine (Vulture) on 08 Oct 2006.

The Illusionist has generally received very positive reviews.

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