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Last updated: 11 Jun 2026 at 17:02 UTC

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Review of by Ryan M — 27 May 2010

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Simply FIERCE. Rossen and Newman are both so in control here that it's just heaven to watch. I felt slightly out to sea in the first act when Rossen denied the audience any quick explanation for Newman's ambiguously out-of-control hubris, but when I realized that virtually THE REST OF THE FILM would be a geniously-studied exploration of that very same character trait I was rooted and ready to participate.

Though I haven't seen any of Rossen's pre-'Hustler' films, I sensed immediately that the man approached this material with confidence gained through extensive filmmaking experience -- there's just no other way to account for this movie's complexity of tone and outright assault on sentimentality.

Maybe the only (very minor) disappointment here is Piper Laurie's character. I watched 'Lilith' immediately after this, and I feel like I detect a certain hesitancy on Rossen's part when it comes to handling female characters -- Laurie for all her screentime here gets a less thoroughly "shaded" treatment than Newman, and her scene-chewing might require a special sensibility to appreciate.

Nevertheless, this film is so, so compelling.

This review of The Hustler (1961) was written by on 27 May 2010.

The Hustler has generally received very positive reviews.

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