Review of The Hustler (1961) by Arthur Ryel-Lindsey for Slant Magazine — 28 Jun 2007
With solid performances, a great jazz score by Kenyon Hopkins, and a virtual clinic in how to do black-and-white cinematography thanks to Eugene Shuftan’s camerawork, The Hustler reaffirms your faith in the movies.
You can read the full review where it was originally posted online.
This review of The Hustler (1961) was written by Arthur Ryel-Lindsey and published by Slant Magazine on 28 Jun 2007.
The Hustler has generally received very positive reviews.
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