Review of The Howling (1981) by Carole Corbeil for The Globe and Mail (Toronto) — 27 Feb 2008
Yes, Rick Baker won the Oscar a year down the line for his American Werewolf In London FX. And, yes, they are staggering. But it is Rob Bottin's work here (with inflatable air bags under a latex "skin" and a pioneering "hydraulic snout") that is — and ever shall be — the pinnacle of mutation effects.
Amen.
You can read the full review where it was originally posted online.
This review of The Howling (1981) was written by Carole Corbeil and published by The Globe and Mail (Toronto) on 27 Feb 2008.
The Howling has generally received positive reviews.
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